Ball State University College of Fine Arts

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Image: Lamar Richcreek (American, 1947–2018), Untitled from the Series Ideal Farm, 2004, chromogenic color print, gift of Jean Richcreek, 2024.006.011.

September 18 – December 19, 2025

Ball State alumnus Lamar Richcreek (1947–2018) earned a degree in business administration in 1969. After a 24-year career in banking, he launched a second career in photography. In his 50s, he returned to school, earned an MFA at Vermont College of Fine Arts, and taught for 20 years as an adjunct professor of photography at the Herron School of Art + Design in Indianapolis. His success as a fine art photographer resulted in a solo exhibition at the Indianapolis Museum of Art in 2002.

Like the pastoral genre in literature, art, and music, Lamar Richcreek’s photographs often present nostalgic visual stories of Indiana’s agricultural landscape inflected by his business perspective. He once wrote in an artist’s statement, “My views of the landscape, agriculture and the family farm are romanticized ones, originating from childhood experiences and visits to my grandfather’s farm in Central Indiana. In the aftermath of World War II and during the Cold War years, the Midwest saw the creation of global markets for farm products and the development of technological advances that were invented to increase production for improved and insured profitability, all of which transformed American farming. These transformations favored agri-businesses and multi-national corporations, thereby altering the viability of the traditional family farm. This change occurred over time without my realizing its impact.”

Lamar Richcreek’s photography testifies to the effects of the post-war economic-agricultural boom in the Midwest through his images with surreal settings, witty juxtapositions, and sublime scenery. A recent donation of art from his wife, Jean Richcreek (1948–2025), to the David Owsley Museum of Art allows subsequent generations to view the corporatization of farming in Indiana through Lamar Richcreek’s creative lens. We are also grateful to Ball State alumnus Thomas Murphy (‘69) for his recent philanthropic investment in DOMA in memory of Lamar and Jean Richcreek.  

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

The School of Art is proud to present Checkpoint: Interactive Artworks & Experimental Play , an exhibition by John C. Gonzalez.

The Ned and Gloria Griner Art Gallery
____________________________
January 7 to 29, 2026
Exhibition Reception, Gallery Talk and Art Performance: January 7, 4 to 6 p.m.

About the Artist

John C. Gonzalez is an interdisciplinary artist whose practice spans installation, sculpture, painting, performance, writing, music, game design, and socially engaged projects. Deeply collaborative in nature, his work often blurs the lines between artist, viewer, and participant, challenging conventional notions of authorship and production. Gonzalez frequently partners with individuals or institutions not traditionally associated with artmaking to create pieces that reflect shared labor, conversation, and experience. These conversations result in works that are as much about the process and relationships as they are about the final product. Through his ongoing exploration of labor, cooperation, and institutional critique, Gonzalez's practice offers a reflective and often playful lens on the social systems that shape artistic and everyday life. Whether building systems that critique their own fabrication, facilitating game-based art experiences, or searching for meaning in collective action, he consistently seeks to expand the role of the artist beyond the studio and into the shared spaces of work, play, and community. Gonzalez lives in Rhode Island and teaches drawing and game design at Rhode Island School of Design in Providence, RI.

The exhibition Checkpoint: Interactive Artworks & Experimental Play will include several interactive and game-adjacent artworks in the galleries. These works will include images, performance, and site-specific works that will solicit viewer engagement and provide space for unexpected connections and exchanges.

Gallery Hours: Tuesday – Friday: 10 A.M. - 4 P.M. Closed weekends and all Ball State breaks and holidays.

The School of Art is proud to present Checkpoint: Interactive Artworks & Experimental Play , an exhibition by John C. Gonzalez.

The Ned and Gloria Griner Art Gallery
____________________________
January 7 to 29, 2026
Exhibition Reception, Gallery Talk and Art Performance: January 7, 4 to 6 p.m.

About the Artist

John C. Gonzalez is an interdisciplinary artist whose practice spans installation, sculpture, painting, performance, writing, music, game design, and socially engaged projects. Deeply collaborative in nature, his work often blurs the lines between artist, viewer, and participant, challenging conventional notions of authorship and production. Gonzalez frequently partners with individuals or institutions not traditionally associated with artmaking to create pieces that reflect shared labor, conversation, and experience. These conversations result in works that are as much about the process and relationships as they are about the final product. Through his ongoing exploration of labor, cooperation, and institutional critique, Gonzalez's practice offers a reflective and often playful lens on the social systems that shape artistic and everyday life. Whether building systems that critique their own fabrication, facilitating game-based art experiences, or searching for meaning in collective action, he consistently seeks to expand the role of the artist beyond the studio and into the shared spaces of work, play, and community. Gonzalez lives in Rhode Island and teaches drawing and game design at Rhode Island School of Design in Providence, RI.

The exhibition Checkpoint: Interactive Artworks & Experimental Play will include several interactive and game-adjacent artworks in the galleries. These works will include images, performance, and site-specific works that will solicit viewer engagement and provide space for unexpected connections and exchanges.

Gallery Hours: Tuesday – Friday: 10 A.M. - 4 P.M. Closed weekends and all Ball State breaks and holidays.

The School of Art is proud to present Checkpoint: Interactive Artworks & Experimental Play , an exhibition by John C. Gonzalez.

The Ned and Gloria Griner Art Gallery
____________________________
January 7 to 29, 2026
Exhibition Reception, Gallery Talk and Art Performance: January 7, 4 to 6 p.m.

About the Artist

John C. Gonzalez is an interdisciplinary artist whose practice spans installation, sculpture, painting, performance, writing, music, game design, and socially engaged projects. Deeply collaborative in nature, his work often blurs the lines between artist, viewer, and participant, challenging conventional notions of authorship and production. Gonzalez frequently partners with individuals or institutions not traditionally associated with artmaking to create pieces that reflect shared labor, conversation, and experience. These conversations result in works that are as much about the process and relationships as they are about the final product. Through his ongoing exploration of labor, cooperation, and institutional critique, Gonzalez's practice offers a reflective and often playful lens on the social systems that shape artistic and everyday life. Whether building systems that critique their own fabrication, facilitating game-based art experiences, or searching for meaning in collective action, he consistently seeks to expand the role of the artist beyond the studio and into the shared spaces of work, play, and community. Gonzalez lives in Rhode Island and teaches drawing and game design at Rhode Island School of Design in Providence, RI.

The exhibition Checkpoint: Interactive Artworks & Experimental Play will include several interactive and game-adjacent artworks in the galleries. These works will include images, performance, and site-specific works that will solicit viewer engagement and provide space for unexpected connections and exchanges.

Gallery Hours: Tuesday – Friday: 10 A.M. - 4 P.M. Closed weekends and all Ball State breaks and holidays.

The School of Art is proud to present Checkpoint: Interactive Artworks & Experimental Play , an exhibition by John C. Gonzalez.

The Ned and Gloria Griner Art Gallery
____________________________
January 7 to 29, 2026
Exhibition Reception, Gallery Talk and Art Performance: January 7, 4 to 6 p.m.

About the Artist

John C. Gonzalez is an interdisciplinary artist whose practice spans installation, sculpture, painting, performance, writing, music, game design, and socially engaged projects. Deeply collaborative in nature, his work often blurs the lines between artist, viewer, and participant, challenging conventional notions of authorship and production. Gonzalez frequently partners with individuals or institutions not traditionally associated with artmaking to create pieces that reflect shared labor, conversation, and experience. These conversations result in works that are as much about the process and relationships as they are about the final product. Through his ongoing exploration of labor, cooperation, and institutional critique, Gonzalez's practice offers a reflective and often playful lens on the social systems that shape artistic and everyday life. Whether building systems that critique their own fabrication, facilitating game-based art experiences, or searching for meaning in collective action, he consistently seeks to expand the role of the artist beyond the studio and into the shared spaces of work, play, and community. Gonzalez lives in Rhode Island and teaches drawing and game design at Rhode Island School of Design in Providence, RI.

The exhibition Checkpoint: Interactive Artworks & Experimental Play will include several interactive and game-adjacent artworks in the galleries. These works will include images, performance, and site-specific works that will solicit viewer engagement and provide space for unexpected connections and exchanges.

Gallery Hours: Tuesday – Friday: 10 A.M. - 4 P.M. Closed weekends and all Ball State breaks and holidays.

The School of Art is proud to present Checkpoint: Interactive Artworks & Experimental Play , an exhibition by John C. Gonzalez.

The Ned and Gloria Griner Art Gallery
____________________________
January 7 to 29, 2026
Exhibition Reception, Gallery Talk and Art Performance: January 7, 4 to 6 p.m.

About the Artist

John C. Gonzalez is an interdisciplinary artist whose practice spans installation, sculpture, painting, performance, writing, music, game design, and socially engaged projects. Deeply collaborative in nature, his work often blurs the lines between artist, viewer, and participant, challenging conventional notions of authorship and production. Gonzalez frequently partners with individuals or institutions not traditionally associated with artmaking to create pieces that reflect shared labor, conversation, and experience. These conversations result in works that are as much about the process and relationships as they are about the final product. Through his ongoing exploration of labor, cooperation, and institutional critique, Gonzalez's practice offers a reflective and often playful lens on the social systems that shape artistic and everyday life. Whether building systems that critique their own fabrication, facilitating game-based art experiences, or searching for meaning in collective action, he consistently seeks to expand the role of the artist beyond the studio and into the shared spaces of work, play, and community. Gonzalez lives in Rhode Island and teaches drawing and game design at Rhode Island School of Design in Providence, RI.

The exhibition Checkpoint: Interactive Artworks & Experimental Play will include several interactive and game-adjacent artworks in the galleries. These works will include images, performance, and site-specific works that will solicit viewer engagement and provide space for unexpected connections and exchanges.

Gallery Hours: Tuesday – Friday: 10 A.M. - 4 P.M. Closed weekends and all Ball State breaks and holidays.

The School of Art is proud to present Checkpoint: Interactive Artworks & Experimental Play , an exhibition by John C. Gonzalez.

The Ned and Gloria Griner Art Gallery
____________________________
January 7 to 29, 2026
Exhibition Reception, Gallery Talk and Art Performance: January 7, 4 to 6 p.m.

About the Artist

John C. Gonzalez is an interdisciplinary artist whose practice spans installation, sculpture, painting, performance, writing, music, game design, and socially engaged projects. Deeply collaborative in nature, his work often blurs the lines between artist, viewer, and participant, challenging conventional notions of authorship and production. Gonzalez frequently partners with individuals or institutions not traditionally associated with artmaking to create pieces that reflect shared labor, conversation, and experience. These conversations result in works that are as much about the process and relationships as they are about the final product. Through his ongoing exploration of labor, cooperation, and institutional critique, Gonzalez's practice offers a reflective and often playful lens on the social systems that shape artistic and everyday life. Whether building systems that critique their own fabrication, facilitating game-based art experiences, or searching for meaning in collective action, he consistently seeks to expand the role of the artist beyond the studio and into the shared spaces of work, play, and community. Gonzalez lives in Rhode Island and teaches drawing and game design at Rhode Island School of Design in Providence, RI.

The exhibition Checkpoint: Interactive Artworks & Experimental Play will include several interactive and game-adjacent artworks in the galleries. These works will include images, performance, and site-specific works that will solicit viewer engagement and provide space for unexpected connections and exchanges.

Gallery Hours: Tuesday – Friday: 10 A.M. - 4 P.M. Closed weekends and all Ball State breaks and holidays.

The School of Art is proud to present Checkpoint: Interactive Artworks & Experimental Play , an exhibition by John C. Gonzalez.

The Ned and Gloria Griner Art Gallery
____________________________
January 7 to 29, 2026
Exhibition Reception, Gallery Talk and Art Performance: January 7, 4 to 6 p.m.

About the Artist

John C. Gonzalez is an interdisciplinary artist whose practice spans installation, sculpture, painting, performance, writing, music, game design, and socially engaged projects. Deeply collaborative in nature, his work often blurs the lines between artist, viewer, and participant, challenging conventional notions of authorship and production. Gonzalez frequently partners with individuals or institutions not traditionally associated with artmaking to create pieces that reflect shared labor, conversation, and experience. These conversations result in works that are as much about the process and relationships as they are about the final product. Through his ongoing exploration of labor, cooperation, and institutional critique, Gonzalez's practice offers a reflective and often playful lens on the social systems that shape artistic and everyday life. Whether building systems that critique their own fabrication, facilitating game-based art experiences, or searching for meaning in collective action, he consistently seeks to expand the role of the artist beyond the studio and into the shared spaces of work, play, and community. Gonzalez lives in Rhode Island and teaches drawing and game design at Rhode Island School of Design in Providence, RI.

The exhibition Checkpoint: Interactive Artworks & Experimental Play will include several interactive and game-adjacent artworks in the galleries. These works will include images, performance, and site-specific works that will solicit viewer engagement and provide space for unexpected connections and exchanges.

Gallery Hours: Tuesday – Friday: 10 A.M. - 4 P.M. Closed weekends and all Ball State breaks and holidays.

The School of Art is proud to present Checkpoint: Interactive Artworks & Experimental Play , an exhibition by John C. Gonzalez.

The Ned and Gloria Griner Art Gallery
____________________________
January 7 to 29, 2026
Exhibition Reception, Gallery Talk and Art Performance: January 7, 4 to 6 p.m.

About the Artist

John C. Gonzalez is an interdisciplinary artist whose practice spans installation, sculpture, painting, performance, writing, music, game design, and socially engaged projects. Deeply collaborative in nature, his work often blurs the lines between artist, viewer, and participant, challenging conventional notions of authorship and production. Gonzalez frequently partners with individuals or institutions not traditionally associated with artmaking to create pieces that reflect shared labor, conversation, and experience. These conversations result in works that are as much about the process and relationships as they are about the final product. Through his ongoing exploration of labor, cooperation, and institutional critique, Gonzalez's practice offers a reflective and often playful lens on the social systems that shape artistic and everyday life. Whether building systems that critique their own fabrication, facilitating game-based art experiences, or searching for meaning in collective action, he consistently seeks to expand the role of the artist beyond the studio and into the shared spaces of work, play, and community. Gonzalez lives in Rhode Island and teaches drawing and game design at Rhode Island School of Design in Providence, RI.

The exhibition Checkpoint: Interactive Artworks & Experimental Play will include several interactive and game-adjacent artworks in the galleries. These works will include images, performance, and site-specific works that will solicit viewer engagement and provide space for unexpected connections and exchanges.

Gallery Hours: Tuesday – Friday: 10 A.M. - 4 P.M. Closed weekends and all Ball State breaks and holidays.

The School of Art is proud to present Checkpoint: Interactive Artworks & Experimental Play , an exhibition by John C. Gonzalez.

The Ned and Gloria Griner Art Gallery
____________________________
January 7 to 29, 2026
Exhibition Reception, Gallery Talk and Art Performance: January 7, 4 to 6 p.m.

About the Artist

John C. Gonzalez is an interdisciplinary artist whose practice spans installation, sculpture, painting, performance, writing, music, game design, and socially engaged projects. Deeply collaborative in nature, his work often blurs the lines between artist, viewer, and participant, challenging conventional notions of authorship and production. Gonzalez frequently partners with individuals or institutions not traditionally associated with artmaking to create pieces that reflect shared labor, conversation, and experience. These conversations result in works that are as much about the process and relationships as they are about the final product. Through his ongoing exploration of labor, cooperation, and institutional critique, Gonzalez's practice offers a reflective and often playful lens on the social systems that shape artistic and everyday life. Whether building systems that critique their own fabrication, facilitating game-based art experiences, or searching for meaning in collective action, he consistently seeks to expand the role of the artist beyond the studio and into the shared spaces of work, play, and community. Gonzalez lives in Rhode Island and teaches drawing and game design at Rhode Island School of Design in Providence, RI.

The exhibition Checkpoint: Interactive Artworks & Experimental Play will include several interactive and game-adjacent artworks in the galleries. These works will include images, performance, and site-specific works that will solicit viewer engagement and provide space for unexpected connections and exchanges.

Gallery Hours: Tuesday – Friday: 10 A.M. - 4 P.M. Closed weekends and all Ball State breaks and holidays.

The School of Art is proud to present Checkpoint: Interactive Artworks & Experimental Play , an exhibition by John C. Gonzalez.

The Ned and Gloria Griner Art Gallery
____________________________
January 7 to 29, 2026
Exhibition Reception, Gallery Talk and Art Performance: January 7, 4 to 6 p.m.

About the Artist

John C. Gonzalez is an interdisciplinary artist whose practice spans installation, sculpture, painting, performance, writing, music, game design, and socially engaged projects. Deeply collaborative in nature, his work often blurs the lines between artist, viewer, and participant, challenging conventional notions of authorship and production. Gonzalez frequently partners with individuals or institutions not traditionally associated with artmaking to create pieces that reflect shared labor, conversation, and experience. These conversations result in works that are as much about the process and relationships as they are about the final product. Through his ongoing exploration of labor, cooperation, and institutional critique, Gonzalez's practice offers a reflective and often playful lens on the social systems that shape artistic and everyday life. Whether building systems that critique their own fabrication, facilitating game-based art experiences, or searching for meaning in collective action, he consistently seeks to expand the role of the artist beyond the studio and into the shared spaces of work, play, and community. Gonzalez lives in Rhode Island and teaches drawing and game design at Rhode Island School of Design in Providence, RI.

The exhibition Checkpoint: Interactive Artworks & Experimental Play will include several interactive and game-adjacent artworks in the galleries. These works will include images, performance, and site-specific works that will solicit viewer engagement and provide space for unexpected connections and exchanges.

Gallery Hours: Tuesday – Friday: 10 A.M. - 4 P.M. Closed weekends and all Ball State breaks and holidays.

The School of Art is proud to present Checkpoint: Interactive Artworks & Experimental Play , an exhibition by John C. Gonzalez.

The Ned and Gloria Griner Art Gallery
____________________________
January 7 to 29, 2026
Exhibition Reception, Gallery Talk and Art Performance: January 7, 4 to 6 p.m.

About the Artist

John C. Gonzalez is an interdisciplinary artist whose practice spans installation, sculpture, painting, performance, writing, music, game design, and socially engaged projects. Deeply collaborative in nature, his work often blurs the lines between artist, viewer, and participant, challenging conventional notions of authorship and production. Gonzalez frequently partners with individuals or institutions not traditionally associated with artmaking to create pieces that reflect shared labor, conversation, and experience. These conversations result in works that are as much about the process and relationships as they are about the final product. Through his ongoing exploration of labor, cooperation, and institutional critique, Gonzalez's practice offers a reflective and often playful lens on the social systems that shape artistic and everyday life. Whether building systems that critique their own fabrication, facilitating game-based art experiences, or searching for meaning in collective action, he consistently seeks to expand the role of the artist beyond the studio and into the shared spaces of work, play, and community. Gonzalez lives in Rhode Island and teaches drawing and game design at Rhode Island School of Design in Providence, RI.

The exhibition Checkpoint: Interactive Artworks & Experimental Play will include several interactive and game-adjacent artworks in the galleries. These works will include images, performance, and site-specific works that will solicit viewer engagement and provide space for unexpected connections and exchanges.

Gallery Hours: Tuesday – Friday: 10 A.M. - 4 P.M. Closed weekends and all Ball State breaks and holidays.

The School of Art is proud to present Checkpoint: Interactive Artworks & Experimental Play , an exhibition by John C. Gonzalez.

The Ned and Gloria Griner Art Gallery
____________________________
January 7 to 29, 2026
Exhibition Reception, Gallery Talk and Art Performance: January 7, 4 to 6 p.m.

About the Artist

John C. Gonzalez is an interdisciplinary artist whose practice spans installation, sculpture, painting, performance, writing, music, game design, and socially engaged projects. Deeply collaborative in nature, his work often blurs the lines between artist, viewer, and participant, challenging conventional notions of authorship and production. Gonzalez frequently partners with individuals or institutions not traditionally associated with artmaking to create pieces that reflect shared labor, conversation, and experience. These conversations result in works that are as much about the process and relationships as they are about the final product. Through his ongoing exploration of labor, cooperation, and institutional critique, Gonzalez's practice offers a reflective and often playful lens on the social systems that shape artistic and everyday life. Whether building systems that critique their own fabrication, facilitating game-based art experiences, or searching for meaning in collective action, he consistently seeks to expand the role of the artist beyond the studio and into the shared spaces of work, play, and community. Gonzalez lives in Rhode Island and teaches drawing and game design at Rhode Island School of Design in Providence, RI.

The exhibition Checkpoint: Interactive Artworks & Experimental Play will include several interactive and game-adjacent artworks in the galleries. These works will include images, performance, and site-specific works that will solicit viewer engagement and provide space for unexpected connections and exchanges.

Gallery Hours: Tuesday – Friday: 10 A.M. - 4 P.M. Closed weekends and all Ball State breaks and holidays.

About

Enjoy a concert of standard jazz favorites and original compositions with the Ball State University Jazz Ensembles in honor of alum and trumpet player Tom Shah. The ensembles are under the direction of Mark Buselli.

Learn more about the Ball State University Jazz Ensembles.

Program

To be announced.

Tickets

Tickets available through the College of Fine Arts Box Office located at Sursa Hall. 

Prices

• General Public: $8 in advance / $10 at the door
• Seniors: $5 in advance / $7 at the door
• BSU Faculty/Staff: $5 in advance / $7 at the door
• Students: free* in advance / $5 at the door
  *One (1) free student ticket per ID is available in advance (before 5 p.m. on the day of the concert) at the College of Fine Arts Box Office

Purchase Options

• ONLINE
• Phone: 765-285-8749
• In person: Monday through Friday from Noon to 5 p.m., or starting 1 hour before the performance

**Please note: As part of our commitment to sustainability, all College of Fine Arts tickets are paperless and are accessible via email confirmation. Your confirmation email contains your digital tickets which can be scanned at the door from your mobile device, or you can print your digital tickets at home to be scanned. There is no need to visit Will Call prior to the performance.

Parking

Parking is available in the McKinley Parking Garage (entrance on Ashland Avenue) located immediately south of Sursa Hall. Metered parking is available on the first floor of the garage until 7 p.m. at which time parking is free.

About

The Ball State Symphony Orchestra is a flagship ensemble of the School of Music that performs orchestral music from a wide variety of backgrounds and time periods.

Program

Program to feature the music of Beethoven, Mozart, and Stravinsky.

Tickets

Tickets available through the College of Fine Arts Box Office located at Sursa Hall. 

Prices

• General Public: $8 in advance / $10 at the door
• Seniors: $5 in advance / $7 at the door
• BSU Faculty/Staff: $5 in advance / $7 at the door
• Students: free* in advance / $5 at the door
  *One (1) free student ticket per ID is available in advance (before 5 p.m. on the night of the concert) at the College of Fine Arts Box Office

Purchase Options

• ONLINE
• Phone: 765-285-8749
• In person: Monday through Friday from Noon to 5 p.m., or starting 1 hour before the performance

**Please note: As part of our commitment to sustainability, all College of Fine Arts tickets are paperless and are accessible via email confirmation. Your confirmation email contains your digital tickets which can be scanned at the door from your mobile device, or you can print your digital tickets at home to be scanned. There is no need to visit Will Call prior to the performance.

Parking

Parking is available in the McKinley Parking Garage (entrance on Ashland Avenue) located immediately south of Sursa Hall. Metered parking is available on the first floor of the garage until 7 p.m. at which time parking is free.

Directed by Veronica Santoyo

Original Dramaturgy by Diana Grisanti

February 6-8, 13-14 at 7:30 p.m. | February 14 at 2:30 p.m. | Oakwood 154

It's the day of The Big Game, and the citizenry is aflutter. The football bros are hungry for blood, the ESL kids are hungry for knowledge, and the hunger strikers are just hungry. Meanwhile, Nubu, a newcomer to our world, considers the meaning of life. When the The Big Game gets cancelled, a group of intrepid weirdos decides to throw an epic DIY costume party—a ball! Balls Balls Balls is a strange and exuberant new work that asks, “Can you imagine a world where we all make bread and break bread together?”

Written by award-winning playwright Alice Tuan, Balls Balls Balls was commissioned by the Ball State Department of Theatre and Dance. We’ll present the script as an on-book reading with choreography. No play is complete without an audience, so we invite you—yes, you!—to participate in the developmental process. Each performance will be followed by a talkback with the playwright and production team. Come take part in the future of American theatre!

Commissioned by the Department of Theatre and Dance of Ball State University

Tickets

Tickets are available through the College of Fine Arts Box Office located at Sursa Hall in person, by phone at 765-285-8749, or online.

General Public: $15 in advance, $17 at the door

Faculty/Staff/Students/Seniors: $12 in advance, $14 at the door

About

The Ball State Opera Theatre program presents their 10th annual Opera Gala. The evening will feature School of Music faculty, alumni, and students performing together!

This year, our students and faculty will be joined by alumni Alexander Gushrowsky, Emma Nossem, Rachel Weinfeld, Rachel Spodek, Alexandra Billhartz, Kaitlyn Daily, Maggie Smith, and Rory Wallace.

Learn more about the Ball State Opera Theatre program, director of opera Jon Truitt, and vocal coach Cara Chowning.

*Please note this performance is not available as a livestream.*

Tickets

Tickets available through the College of Fine Arts Box Office located at Sursa Hall starting August 1. 

PRICES

• General Public: $18 in advance / $20 at the door
• Seniors: $15 in advance / $17 at the door
• BSU Faculty/Staff: $15 in advance / $17 at the door
• Students: $5 in advance / $8 at the door

PURCHASE OPTIONS

• ONLINE
• Phone: 765-285-8749
• In person: Monday through Friday from Noon to 5 p.m., or starting 1 hour before the performance

**Please note: As part of our commitment to sustainability, all College of Fine Arts tickets are paperless and are accessible via email confirmation. Your confirmation email contains your digital tickets which can be scanned at the door from your mobile device, or you can print your digital tickets at home to be scanned. There is no need to visit Will Call prior to the performance.

 Parking

Parking is available in the McKinley Parking Garage (entrance on Ashland Avenue) located immediately south of Sursa Hall. Parking in this garage is free on weekends.