236 past events with the ball state college of fine arts tag

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

By Pyotr Ilyich Tchaikovsky

Presented by Ball State's Department of Theatre and Dance

Choreographed by Susan Koper, Joseph Lyons, Audra Sokol, Roberta Wong, and Christie Zimmerman

The Nutcracker is the classic holiday tale as you’ve never seen it before—a dreamy collision of magic, mystery, and imagination. Clara’s beloved toy transforms into a valiant prince, whisking her from a war-torn living room to realms filled with snow, sweets, and surreal wonders. Each step of her journey blurs the line between fantasy and reality, revealing the strange beauty hidden beneath tradition. With Tchaikovsky’s unforgettable score guiding the way, this reimagined Nutcracker becomes a wild, whimsical ride through the heart of childhood dreams.

The Ball State Symphony Orchestra, conducted by Gregory Robbins, will play the score live.

About

Holiday offerings from diverse traditions, and creative use of Sursa Performance Hall make this event an annual touchstone for a festive season. Five choirs combine to surround the audience in a feast for the eyes, the ears, and the heart.

Learn more about the Ball State University Choirs and conductors Andrew Crow and Kerry Glann.

This is the first of two concerts. The second concert will take place at 6 p.m. on the same day (Sunday, December 7) in Sursa Hall.

Tickets

Tickets available through the College of Fine Arts Box Office located at Sursa Hall starting August 1. 

Prices

• General Public: $8 in advance / $10 at the door
• Seniors: $5 in advance / $7 at the door
• BSU Faculty/Staff: $5 in advance / $7 at the door
• Students: free* in advance / $5 at the door
  *One (1) free student ticket per ID is available in advance (before 1 p.m. on the day of the concert) at the College of Fine Arts Box Office

Purchase Options

• ONLINE
• Phone: 765-285-8749
• In person: Monday through Friday from Noon to 5 p.m., or starting 1 hour before the performance

**Please note: As part of our commitment to sustainability, all College of Fine Arts tickets are paperless and are accessible via email confirmation. Your confirmation email contains your digital tickets which can be scanned at the door from your mobile device, or you can print your digital tickets at home to be scanned. There is no need to visit Will Call prior to the performance.

Parking

Parking is available in the McKinley Parking Garage (entrance on Ashland Avenue) located immediately south of Sursa Hall. Parking in this garage is free on weekends.

Livestream

This afternoon (3 p.m.) performance will also be offered as a livestream - visit the Concert Livestream Page to watch live. Streaming begins approximately 15 minutes prior to scheduled concert start time.

About

Holiday offerings from diverse traditions, and creative use of Sursa Performance Hall make this event an annual touchstone for a festive season. Five choirs combine to surround the audience in a feast for the eyes, the ears, and the heart.

Learn more about the Ball State University Choirs and conductors Andrew Crow and Kerry Glann.

This is the second of two concerts. The first concert will take place at 3 p.m. on the same day (Sunday, December 7) in Sursa Hall.

Program

To be announced.

Tickets

Tickets available through the College of Fine Arts Box Office located at Sursa Hall starting August 1. 

Prices

• General Public: $8 in advance / $10 at the door
• Seniors: $5 in advance / $7 at the door
• BSU Faculty/Staff: $5 in advance / $7 at the door
• Students: free* in advance / $5 at the door
  *One (1) free student ticket per ID is available in advance (before 1 p.m. on the day of the concert) at the College of Fine Arts Box Office

Purchase Options

• ONLINE
• Phone: 765-285-8749
• In person: Monday through Friday from Noon to 5 p.m., or starting 1 hour before the performance

**Please note: As part of our commitment to sustainability, all College of Fine Arts tickets are paperless and are accessible via email confirmation. Your confirmation email contains your digital tickets which can be scanned at the door from your mobile device, or you can print your digital tickets at home to be scanned. There is no need to visit Will Call prior to the performance.

Parking

Parking is available in the McKinley Parking Garage (entrance on Ashland Avenue) located immediately south of Sursa Hall. Parking in this garage is free on weekends.

Livestream

This afternoon (3 p.m.) performance will also be offered as a livestream - visit the Concert Livestream Page to watch live. Streaming begins approximately 15 minutes prior to scheduled concert start time.

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

About

This Lux Radio Theatre adaptation of It’s a Wonderful Life is a heartwarming radio drama based on Frank Capra’s classic story. Condensed into about an hour, the production features rich narration, live sound effects, and expressive performances to tell the story of George Bailey—a man who, feeling overwhelmed by life’s burdens, is shown by his guardian angel how profoundly he has touched the lives of others. The radio play beautifully conveys themes of hope, community, and the power of one individual to make a difference—offering an intimate, nostalgic experience that feels both uplifting and deeply human through the magic of radio.
 
IPR Radio Dramas feature community and campus actors, musicians, and singers who, through their live performances, transport listeners to another time—evoking memories of shared experiences and recalling an era when imagination played a central role in entertainment. Live music and sound effects help recreate the authentic atmosphere of the Golden Age of Radio.
 
Audience members play a vital role in the radio drama experience by engaging with the story and reacting to the emotions conveyed through sound and performance.
 
Attendees should be seated by 7:30 p.m. and will enjoy a special pre-show program, including a live sound effects demonstration.
 
Directed by Matthew Reeder. Musical direction by Jim Rhinehart. Sound effects by Leo Blackmer.

Tickets

Tickets are sold through the College of Fine Arts Box Office located at Sursa Hall. Purchase options:

• ONLINE
• Phone: 765-285-8749
• In person: Monday through Friday from Noon to 5 p.m., or starting 1 hour before the performance at the performance venue

**Please note: As part of our commitment to sustainability, all College of Fine Arts tickets are paperless and are accessible via email confirmation. Your confirmation email contains your digital tickets which can be scanned at the door from your mobile device, or you can print your digital tickets at home to be scanned. There is no need to visit Will Call prior to the performance.

Parking

Parking is available in the McKinley Parking Garage (entrance on Ashland Avenue) located immediately south of Sursa Hall. Metered parking is available on the first floor of the garage until 7 p.m. at which time parking is free.

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

Image: Pierre Daura (American, born Spain, 1896–1976), designs for Cercle et Carré logo, 1929. Pen and ink on paper, 9 3/4 × 6 inches. Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura. 2011.125.

September 18 – December 19, 2025

Hours: 9 a.m.–4:30 p.m. (Tuesday–Friday)
           1:30–4:30 p.m. (Saturday)

In Paris in 1929, Belgian painter and critic Michel Seuphor (1901–1999), Uruguayan painter and theorist Joaquín Torres-García (1874–1949), and Catalan-American artist Pierre Daura (1896–1976) founded an influential but short-lived artistic group named Circle and Square, after the geometric shapes fundamental to abstract art.  The group attracted more than eighty international artists including Jean Arp (1886–1966), Le Corbusier (1887–1965), Alexandra Exter (1882–1949), Wassily Kandinsky (1866–1944), Nadia Khodasevich Léger (1904–1987), Fernand Léger (1881–1955), and Sophie Täuber-Arp (1889–1943), among other famous and lesser-known personalities in the Parisian art world. Cercle et Carré and the International Spirit of Abstract Art showcases more than sixty works by thirty of Cercle et Carré’s participants, as well as outlines the formation of the group and its artistic legacy.

The exhibition was organized by the Georgia Museum of Art, University of Georgia, with the addition of works from the collection of the David Owsley Museum of Art. Generous support for the exhibition was provided by the Daura Foundation.

The School of Art is proud to present Checkpoint: Interactive Artworks & Experimental Play , an exhibition by John C. Gonzalez.

The Ned and Gloria Griner Art Gallery
____________________________
January 7 to 29, 2026
Exhibition Reception, Gallery Talk and Art Performance: January 7, 4 to 6 p.m.

About the Artist

John C. Gonzalez is an interdisciplinary artist whose practice spans installation, sculpture, painting, performance, writing, music, game design, and socially engaged projects. Deeply collaborative in nature, his work often blurs the lines between artist, viewer, and participant, challenging conventional notions of authorship and production. Gonzalez frequently partners with individuals or institutions not traditionally associated with artmaking to create pieces that reflect shared labor, conversation, and experience. These conversations result in works that are as much about the process and relationships as they are about the final product. Through his ongoing exploration of labor, cooperation, and institutional critique, Gonzalez's practice offers a reflective and often playful lens on the social systems that shape artistic and everyday life. Whether building systems that critique their own fabrication, facilitating game-based art experiences, or searching for meaning in collective action, he consistently seeks to expand the role of the artist beyond the studio and into the shared spaces of work, play, and community. Gonzalez lives in Rhode Island and teaches drawing and game design at Rhode Island School of Design in Providence, RI.

The exhibition Checkpoint: Interactive Artworks & Experimental Play will include several interactive and game-adjacent artworks in the galleries. These works will include images, performance, and site-specific works that will solicit viewer engagement and provide space for unexpected connections and exchanges.

Gallery Hours: Tuesday – Friday: 10 A.M. - 4 P.M. Closed weekends and all Ball State breaks and holidays.

The School of Art is proud to present Checkpoint: Interactive Artworks & Experimental Play , an exhibition by John C. Gonzalez.

The Ned and Gloria Griner Art Gallery
____________________________
January 7 to 29, 2026
Exhibition Reception, Gallery Talk and Art Performance: January 7, 4 to 6 p.m.

About the Artist

John C. Gonzalez is an interdisciplinary artist whose practice spans installation, sculpture, painting, performance, writing, music, game design, and socially engaged projects. Deeply collaborative in nature, his work often blurs the lines between artist, viewer, and participant, challenging conventional notions of authorship and production. Gonzalez frequently partners with individuals or institutions not traditionally associated with artmaking to create pieces that reflect shared labor, conversation, and experience. These conversations result in works that are as much about the process and relationships as they are about the final product. Through his ongoing exploration of labor, cooperation, and institutional critique, Gonzalez's practice offers a reflective and often playful lens on the social systems that shape artistic and everyday life. Whether building systems that critique their own fabrication, facilitating game-based art experiences, or searching for meaning in collective action, he consistently seeks to expand the role of the artist beyond the studio and into the shared spaces of work, play, and community. Gonzalez lives in Rhode Island and teaches drawing and game design at Rhode Island School of Design in Providence, RI.

The exhibition Checkpoint: Interactive Artworks & Experimental Play will include several interactive and game-adjacent artworks in the galleries. These works will include images, performance, and site-specific works that will solicit viewer engagement and provide space for unexpected connections and exchanges.

Gallery Hours: Tuesday – Friday: 10 A.M. - 4 P.M. Closed weekends and all Ball State breaks and holidays.

The School of Art is proud to present Checkpoint: Interactive Artworks & Experimental Play , an exhibition by John C. Gonzalez.

The Ned and Gloria Griner Art Gallery
____________________________
January 7 to 29, 2026
Exhibition Reception, Gallery Talk and Art Performance: January 7, 4 to 6 p.m.

About the Artist

John C. Gonzalez is an interdisciplinary artist whose practice spans installation, sculpture, painting, performance, writing, music, game design, and socially engaged projects. Deeply collaborative in nature, his work often blurs the lines between artist, viewer, and participant, challenging conventional notions of authorship and production. Gonzalez frequently partners with individuals or institutions not traditionally associated with artmaking to create pieces that reflect shared labor, conversation, and experience. These conversations result in works that are as much about the process and relationships as they are about the final product. Through his ongoing exploration of labor, cooperation, and institutional critique, Gonzalez's practice offers a reflective and often playful lens on the social systems that shape artistic and everyday life. Whether building systems that critique their own fabrication, facilitating game-based art experiences, or searching for meaning in collective action, he consistently seeks to expand the role of the artist beyond the studio and into the shared spaces of work, play, and community. Gonzalez lives in Rhode Island and teaches drawing and game design at Rhode Island School of Design in Providence, RI.

The exhibition Checkpoint: Interactive Artworks & Experimental Play will include several interactive and game-adjacent artworks in the galleries. These works will include images, performance, and site-specific works that will solicit viewer engagement and provide space for unexpected connections and exchanges.

Gallery Hours: Tuesday – Friday: 10 A.M. - 4 P.M. Closed weekends and all Ball State breaks and holidays.

The School of Art is proud to present Checkpoint: Interactive Artworks & Experimental Play , an exhibition by John C. Gonzalez.

The Ned and Gloria Griner Art Gallery
____________________________
January 7 to 29, 2026
Exhibition Reception, Gallery Talk and Art Performance: January 7, 4 to 6 p.m.

About the Artist

John C. Gonzalez is an interdisciplinary artist whose practice spans installation, sculpture, painting, performance, writing, music, game design, and socially engaged projects. Deeply collaborative in nature, his work often blurs the lines between artist, viewer, and participant, challenging conventional notions of authorship and production. Gonzalez frequently partners with individuals or institutions not traditionally associated with artmaking to create pieces that reflect shared labor, conversation, and experience. These conversations result in works that are as much about the process and relationships as they are about the final product. Through his ongoing exploration of labor, cooperation, and institutional critique, Gonzalez's practice offers a reflective and often playful lens on the social systems that shape artistic and everyday life. Whether building systems that critique their own fabrication, facilitating game-based art experiences, or searching for meaning in collective action, he consistently seeks to expand the role of the artist beyond the studio and into the shared spaces of work, play, and community. Gonzalez lives in Rhode Island and teaches drawing and game design at Rhode Island School of Design in Providence, RI.

The exhibition Checkpoint: Interactive Artworks & Experimental Play will include several interactive and game-adjacent artworks in the galleries. These works will include images, performance, and site-specific works that will solicit viewer engagement and provide space for unexpected connections and exchanges.

Gallery Hours: Tuesday – Friday: 10 A.M. - 4 P.M. Closed weekends and all Ball State breaks and holidays.

Winston Churchill is back! His purpose: To warn humanity not of a Nazi threat, not of Soviet Iron Curtain Communism, but rather - that a Digital Iron Curtain has fallen across all of humanity and that action this day is necessary to Defend Liberty and Freedom.

Winston Churchill, along with Michael Duncan’s brilliant narration, Eric Anderson’s stirring musical renderings and Kevin Pehler’s stunning audio-visual magic leads us through history, painting the portrait of humanity’s struggle between totalitarian conquest and control and individual liberty and freedom. This stirring, inspirational “Theatrical Keynote” brings Winston Churchill’s keen, incisive message of hope to the 21st Century. The audience will have the opportunity to interact directly with Prime Minister Churchill during Ask Winston, a fun, lively Q&A.

World-class artists and musicians brought together in the Coffee and Cabernet Series. Experience these internationally renowned artists in the intimate setting of Pruis Hall and enjoy a selection of wine, craft beer or coffee while attending the performance. 

The School of Art is proud to present Checkpoint: Interactive Artworks & Experimental Play , an exhibition by John C. Gonzalez.

The Ned and Gloria Griner Art Gallery
____________________________
January 7 to 29, 2026
Exhibition Reception, Gallery Talk and Art Performance: January 7, 4 to 6 p.m.

About the Artist

John C. Gonzalez is an interdisciplinary artist whose practice spans installation, sculpture, painting, performance, writing, music, game design, and socially engaged projects. Deeply collaborative in nature, his work often blurs the lines between artist, viewer, and participant, challenging conventional notions of authorship and production. Gonzalez frequently partners with individuals or institutions not traditionally associated with artmaking to create pieces that reflect shared labor, conversation, and experience. These conversations result in works that are as much about the process and relationships as they are about the final product. Through his ongoing exploration of labor, cooperation, and institutional critique, Gonzalez's practice offers a reflective and often playful lens on the social systems that shape artistic and everyday life. Whether building systems that critique their own fabrication, facilitating game-based art experiences, or searching for meaning in collective action, he consistently seeks to expand the role of the artist beyond the studio and into the shared spaces of work, play, and community. Gonzalez lives in Rhode Island and teaches drawing and game design at Rhode Island School of Design in Providence, RI.

The exhibition Checkpoint: Interactive Artworks & Experimental Play will include several interactive and game-adjacent artworks in the galleries. These works will include images, performance, and site-specific works that will solicit viewer engagement and provide space for unexpected connections and exchanges.

Gallery Hours: Tuesday – Friday: 10 A.M. - 4 P.M. Closed weekends and all Ball State breaks and holidays.